Empowered Songwriters Vs. Non-Empowered Songwriters

It struck me recently that there are basically two kinds of writers I work with. There are empowered songwriters and non-empowered songwriters. Empowered songwriters write confidently and take chances. They don’t complain about the state of the music business or whine about someone not getting them cuts. They realize that THEY are in charge of…

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Songwriting Hack #2 – “Lay It Down, Repeat It, And Move On”

If you’re like me, you’ve probably noticed over the last year that there have been quite a few songs popular in both pop and country music that have the same chords in the verse and the chorus. Yet, they still manage to keep the songs interesting. So today I wanted to talk about a technique…

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4 Tips To Help Songwriters Get Better Song Critiques

Sometimes, people get frustrated with the kind of feedback they get on their songs, but when we dig into the issue, we discover that they really didn’t give the feedback giver much to go on. Here are some tips to help you get better song critiques back on your songs: Don’t submit finished demos if…

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How To Get Motivated To Write More & Better Songs

Over the last 10 years at SongTown I have personally responded to thousands of aspiring songwriter emails. Many want to write better songs but can’t seem to find the answer to how to get motivated to write on a regular basis. If this is you, you are not alone. We all feel the pull of emails,…

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9 Universal Songwriting Emotions To Write Songs About

Over the course of my career as a pro songwriter, I’ve learned that most songs boil down to 9 universal songwriting emotions that work in songs. Love No surprise here! Songs like “Eight Days A Week”, “I Honestly Love You” and “Endless Love” are still standards. Unrequited Love “I Can’t Make You Love Me” and…

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Songwriting Hack! “Short-Short-Long Verse”

Recognizing Patterns Today, a friend of mine posted on Facebook, a song by Bruce Springsteen. It’s an old song called “My Hometown”, and it kind of struck me. I often encourage people, when they listen to melodies, to try to recognize patterns. I hadn’t heard this song in a long time, and the first thing…

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5 Ways Songwriters Shoot Themselves In The Foot And Sabotage Songs

In a 20+ year music career as a songwriter, I’ve shot myself in the foot so many times that it’s amazing I can walk.  I thought I’d share some of them to help YOU avoid doing the same thing.  Here are some of the worst “shots” I’ve taken in the foot. Getting too excited over…

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The Music Lab: Verses Are The New Chorus

One of the most noticeable style shifts in songwriting over the last few years is the emergence of chorus-like hooks in verses. For the longest time, if you had a memorable and “hit” sing-a-long chorus you were golden. Your chances of finding an audience for your songs were pretty good. Even if you were the…

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How KISS will Transform your Songwriting

Hit songwriter Tom Douglas once said, “You can’t write a great song trying to write a great song.” Over the years, we’ve listened to many songs that fail because they try too hard to be brilliant, either lyrically or melodically. Douglas and co-writer Allen Shamblin wrote Miranda Lambert’s “The House That Built Me” – a…

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4 Keys to Co-Writing Songs With A Band

Someone asked me the other day, “What is your secret to co-writing with a band?” Over the years I’ve been blessed to co-write songs with great bands like Lady A and Little Big Town. As a songwriter, it can be tricky to sit down with three or four other people in one room and make…

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