Songwriter Karma: The Truth About Giving and Receiving

Karma and song critiques… I occasionally have people come to me and say “I don’t put my songs up in the SongTown forum for critiques by my peers because it seems like so many people there are so ‘green’ and the advice I get is not usually helpful.” What they are actually saying, in a…

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Exercising The Songwriting Muscle

My very first publisher used to read me this quote. Over the years it has always served as a constant reminder to keep my songwriting muscle in shape…. “Exercise the writing muscle every day, even if it is only a letter, notes, a title list, a character sketch, a journal entry. Writers are like dancers,…

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Great Songwriting Works In All Genres

As co-founders of SongTown, Clay Mills and I have had a lot of success as writers in the country genre. But we pride ourselves on using techniques that work in songwriting in all styles. Many people assume that we are “country songwriters” and that what we teach only applies to country music.  This is a false assumption.…

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Navigating the Rollercoaster: Life as a Songwriter

Clay and Marty discuss how songwriters can survive through the tough times and stay creative. Help is available for the down times through: Better Help: Website MusiCares: Website Porter’s Call: Website Adding More Heart To Your Songs : Online CrashCourse Change the way the world hears your songs! 🔥 In this 3-week immersive songwriting course you will learn…

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The Loop/Keys/Vocal Worktape

Hit Songwriter Clay Mills is a ten-time ASCAP awards winning songwriter/producer, penning #1 hits for Darius Rucker (“Don’t Think I Don’t Think About It”), Diamond Rio (“Beautiful Mess”), and Kimberley Locke (“Fall”). Along the way collecting Grammy Nominations for “Beautiful Mess” and Trisha Yearwood’s “Heaven Heartache and the Power of Love”. Clay has had over…

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SongTown – The Power Of Community For Songwriters

When I first started writing songs I was obsessed with listening to records. Songs and sound just turned me on. I was thoroughly engrossed with my favorite artist. I read books about Bob Dylan, I read liner notes and interviews with the Eagles. Deep down, I felt I was part of their world through their…

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6 Crucial Pieces of Co-writer Information You Need To Get When Collaborating

Most of us songwriters are happy-go-lucky types… We waltz into a co-write with lofty dreams and aspirations and then we boogie our way home with smiles on our faces because we just wrote another “hit” that could change our lives. That’s a fun way to approach life for sure. But, we often forget some CRUCIAL…

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Why Is The First Verse So Important To Songwriting?

Writers often overlook the importance of a great first verse. A first verse can make or break your song. Here’s why: 1) Industry people don’t have a lot of time to spend on each song. If your first verse doesn’t grab them, they will turn off your song and not even listen to the rest,…

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Why Good Songs Fail: The “Preachy Lyric” Songwriting Trap

In pro songwriting circles, writers know about the “preachy lyric” trap and avoid it at all costs. No, we’re not talking religion in this episode of SongTown On Songwriting, but we are talking about a common pitfall that will trip up your potentially great song. Adding More Heart To Your Songs : Online CrashCourse Change…

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Songwriters: Are You Using The Power Of Metadata?

Let’s talk about a powerful tool that I use daily in my songwriting life, Metadata. Metadata is the key to mastering your song catalog and making better pitches. It organizes your songs and helps you target with what they’re looking for. And most importantly, when you send your song to a publisher or producer or…

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