Songwriting Hack – “From Song Idea To Major Label Cut”

We’re going to do something special today. Since the beginning of SongTown, I’ve had members ask me if I would break down a song – from the beginning of the idea and inspiration, how he wrote it, to how it became a major label cut. And I’ve always been hesitant because songs don’t always start…

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Getting Feedback Before Demoing a Song

Should you be getting feedback before demoing a song? Listen in as Hit Songwriters Clay Mills (Multiple #1 Songs, Grammy Nominated Songwriter) and Marty Dodson (10 #1 Singles and 125+ Cuts) talk about how much feedback you should get before demoing a song and where that feedback should come from.

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How To Turn Everyday Conversations Into Great Songs Using The Talk-Sing Melody Method

How To Turn Conversations Into Great Songs

Early in my songwriting career, I was driving to a co-writing session with Hall of Fame songwriter Rory Bourke. Traffic was extremely slow that day. I rushed into the writing room and frantically said, “I’m so sorry that I’m late.” Immediately, Rory sang what I had just said: “I’m so sorry … that I’m ……

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#SongwritingHack 1.03 – “Verses Are The New Chorus”

When you think of using repetition in songs, you usually think of it as a device that’s used in choruses, where you’re repeating a title over and over, or you’re repeating the same words to make a song memorable. But today I want to talk about a few ways that you can actually use repetition…

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Anatomy of a Sync Song

Randall Foster is Vice President of Business Development and GM of the Nashville office of a digital distribution company called Symphonic Distribution. Prior to his current role, Randall was the leader of the Creative Sync & Licensing for ole music publishing where he oversaw a vast catalog of music copyrights and intellectual property and managed…

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Hit Writer Clay Mills Tours His Home Recording Studio Set-up

Hit Songwriter Clay Mills is a 16-time ASCAP awards winning songwriter/producer, penning #1 hits for Darius Rucker (“Don’t Think I Don’t Think About It”), Diamond Rio (“Beautiful Mess”), and Kimberley Locke (“Fall”). Along the way collecting Grammy Nominations for “Beautiful Mess” and Trisha Yearwood’s “Heaven Heartache and the Power of Love”. Clay has had over…

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How Are Music Royalties Divided On A Song?

Marty_Music Royalties

10 Time #1 Song Songwriter, Marty Dodson, has written songs for artists such as Kenny Chesney, Billy Currington, Carrie Underwood and many others. In this Quick Tip video Marty explains how songwriting royalties are divided among songwriters and publishers. For a more in-depth breakdown, checkout the SongTown video How SongWriters Get Paid.

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Writing Jingles For Ads, Commercials & Movies

Chapters Chapter 1: Writing A Jingle Chapter 2: Writing For Ads Chapter 3: Writing Sync Songs With Production Writers Chapter 4: Breaking Into Sync Writing Chapter 5: Can You Re-write Sync Songs? Chapter 6: How Much Time Do You Get To Write A Sync Song? Chapter 7: Organizing A Sync Catalog Chapter 8: Should I…

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Songwriting for Sync vs. Other Types of Music

Randall Foster is Vice President of Business Development and GM at Symphonic Distribution’s Nashville office. Prior to his current role, Randall was the leader of the Creative Sync & Licensing for ole music publishing where he oversaw a vast catalog of music copyrights and intellectual property and managed the outside usage and licensing of those…

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What Is The Role Of A Publisher?

John Ozier has been responsible for over 30 #1’s as an A&R executive, a publisher, and as a songwriter. John is a hit songwriter with cuts by Lee Brice, Tyler Farr, Kid Rock, Kellie Pickler, Charlie Worsham, Josh Thompson, American Young, Air Supply and others. He co-wrote Lee Brice’s multi-week No. 1 and multi-platinum single,…

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